Search results for "Terror attack"
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Scenekunstens (for)handlingsrom etter 22. juli
2019
In this article I discuss theatre’s scope of action after the 2011 terror attacks in Norway (“22. July”), with an emphasis on independent theatre, aesthetic heteronomy and the public sphere. A theatre manager’s (Jon Refsdal Moe) retrospect account of and reflections upon a case of self-censoring is the starting point for my (re-)examination of the arguments and dynamics concerning some of the most prominent contentious 22. July performances. I discuss how the controversies can be understood and dealt with, and how they are connected to theatre’s scope of action and place in society today. In my argument, I differentiate between the public sphere as an arena for discussion and debate (which …
The Inefficiency of Knowledge and the Limits of Explanations; the Necessity of Critique
2013
July 22nd 2011 Norway experienced the deadliest terror attack in the country since World War II. One man, Anders Behring Breivik, ABB (33), blew up the Governmental Headquarters in our capital Oslo, killing eight people. Later that day he shot and killed, one by one, 69 youths attending a summer camp at Utøya, and wounded many others. His target was the Norwegian Labour Party, its most prominent and influential members, and those who one day might be. His country is dying he says, because of multiculturalism. He is a commander and knight—future leader and even king. His actions were political, compulsory—necessary. . . he says. He regrets nothing.